Friday, April 08, 2005

The Lovers' Album of the Week - Part 1


The Books Lost and Safe

The fact that The Books' 2003 release, Lemon of Pink, was such a critical success (even making #2 on Pitchfork's Best of 2003 list) is not surprising. Pink is just so brilliantly constructed that it makes you almost believe The Books invented the art of musique concrete. Of course that is not the case (Pierre Schaeffer claims that fame) but it is certainly one of the catchiest examples of the form in recent years. Well, until The Books released their third album, Lost and Safe. Lost and Safe won't get the same critical recognition as Pink but it is an important evolution of The Books' sound that may prove helpful in bringing them a larger audience. The main distinction between The Books of 2003 and The Books of 2005 is the addition of more developed song lyrics. But don't fret Pink and Thought of Food (2002) fans, The Books are just working overtime these days to combine all these new and old elements into their fragmented tracks. The shining achievement of this new sound is "Be Good To Them Always," which begins familiarly enough but then progresses into a Tortoise-like bass line followed by soft spoken vocals that quickly become engulfed in a series of voice samples from wherever voice samples come from until the line between what is real and what isn't is lost. Surprisingly, the most impressive track, "An Owl with with Knees," is a song that is The Books' most straight forward number (even void of a single sample) and yet at the same time their most uplifting. Here's to whatever direction The Books decide to venture next.

The Lovers' Album of the Week - Part 2


The Dirty Projectors The Getty Address

The Getty Address reminds me of one of my favorite releases from 2004, Panda Bear's Young Prayer. As a response to the artists' father's death, Young Prayer was the years most unconventional pop record complete with incoherent chants of various falsetto ranges set to minimal instrumentation. While I'm not sure of the personal response behind the release of The Getty Address, The Dirty Projectors are sure to be this years contender for oddest pop record. Like Panda Bear, the voice acts as a central instrument and lead man Dave Longstreth's use of the falsetto comes of like a classically trained Tiny Tim. However, the main attraction of The Getty Address is the music itself which is engulfing and ever-changing. The Getty Address also reminds me of my other Album of the Week, The Books' Lost and Safe, in the way that both records approach each song in so many directions. Sorta like a kid who has been accidently locked in the school's music room over the weekend and decides to kill the time by pulling out every instrument from the closet. Which is not to say Longstreth is alone in all this - he guides his odd vision with the aid of the Orchestral Society for the Preservation of the Orchestra, a 10-piece chamber group complete with oboe, trombone, horn, trumpet, and soprano and alto voice. It's that organic sound that really sets The Getty Address apart from the Books' Lost and Safe and that grand scale which sets it apart from Young Prayer. And as a combination of it's parts it's what separates it from anything else out there. If Lincoln were correct in assuming "that all men are created equal," well, surely all pop music is not.

Oh You and Your Christian Indie Rock!

I have a fondness for good Christian indie music, especially the artists found on the labels Sounds Familyre and Asthmatic Kitty. Last week, the Festival of Faith and Music took place in Grand Rapids, Michigan with performances from Sufjan Stevens, David Bazan (Pedro the Lion), Half-handed Cloud, and Br. Danielson. You can check out show reviews from the weekend by Pastor Ben Squires at Music Spectrum. Also, there is a Festival Giveaway Contest with chances to win a prize package of CDs from FFM artists. Enjoy!

Thursday, April 07, 2005

The Music Lovers playlist for 4/7/05

1. Just Let Go - Fischerspooner from Odyssey 2. Out of Zone - Marbles from Expo 3. Far Away, By My Side - Peter Bjorn and John from Falling Out 4. Blue Gold - The Chrysler from Cold War Classic 5. See About Me - Weird War from Illuminated By The Light 6. Saturday Night - Kaiser Chiefs from Employment 7. The CN Tower Belongs to the Dead - Final Fantasy 8. So Here We Are - Bloc Party from Silent Alarm 9. Big Mouth Strikes Again - Morrissey from Live from Earls Court 10. Baby C'mon - Stephen Malkmus from Face the Truth 11. Moving Pictures Silent Films - Great Lake Swimmers from Great Lake Swimmers 12. I Will Truck - The Dirty Projectors from The Getty Address 13. Last Time Here (Live in Portugal) - The Album Leaf from Seal Beach (EP Bonus Tracks) 14. The Dark of the Garage - South San Gabriel from The Carlton Chronicles: Not Until the Operations Through 15. Reflections After Jane - The Clientele from Suburban Light 16. On No! Oh My! - The Robot Ate Me from The Robot Ate Me, On Vacation 17. Born - Over the Rhine from Drunkard's Prayer 18. April & May - David Fridlund from Amaterasu 19. Hills (Rough Mix) - Thao Nguyen from Like the Linen 20. I'm Happy But You Don't Like Me - Asobi Seksu from Asobi Seksu 21. Leave the City - Magnolia Electric Co. from What Comes After the Blues 22. Before You Cry - Camera Obscura from Underachievers Please Try Harder 23. My Lady's House - Iron and Wine from Woman King 24.White Center - Damien Jurado from On My Way To Absence 25. Be Good To Them Always - The Books from Lost and Safe 26. Wolverine - Sufjan Stevens from Greetings from Michigan (Outtakes) 27. Black - Okkervil River from Black Sheep Boy 28. The Land Beyond - British Sea Power from Open Season 29. Hey Man (Now You're Really Living) - Eels from Hey Man (Now You're Really Living) EP