Thursday, June 02, 2005
The Music Lovers playlist for 6/2/05
Wednesday, June 01, 2005
This Week on the Lovers - Special Guest Cancellation
Still expect an exciting show with new releases from: Sleater-Kinney, The Sharp Things, Smog, Brian Eno, Doleful Lions, Eels, PAJO, The Silver Mt. Zion, and many more...
Saturday, May 28, 2005
The Music Lovers playlist for 5/26/05
Friday, May 20, 2005
The Lovers' Album of the Week
Animal Collective Prospect Hummer EP (featuring Vashti Bunyan)
If you're like me, you never even heard of Vashti Bunyan or her sole album, Just Another Diamond Day, prior to Devendra Banhart and the entire "freak-folk" movement. And I must admit, I still don't know that much about the woman or her music other than the 30 sec samples allowed through iTunes. What does come through, though, is that her approach to folk music is different from her peers (Joni Mitchell, Joan Baez, Dylan, etc.). I had a friend mention to me recently that he thought folk music would be making a big comeback due to the current state of affairs in America. I'm not sure that's true. To me, this neo hippie folk movement coming out from folks like Banhart and Joanna Newsom, and for which Bunyan is being labeled the Mother of, is less concerned about the world around them than the sweet and innocent world they have created within themselves. The music of Bunyan also seems to turn its head away from political matters and instead favors melodies that are dedicated to nature ("Lily Pond," Rainbow River," "Winter Is Blue" etc.). After the initially unsuccessful 1970 release, Just Another Diamond Day, Bunyan apparently left the music business all together to focus on a family. Thirty-five years later, Bunyan is back. Only this time it's not a solo album but a collaboration with the continuously fascinating Animal Collective. I never really thought of Animal Collective as part of the same crowd as Banhart and Newsom, but I do deem "freak-folk" as an adequate description of their type of music. Actually, Prospect Hummer is less chaotic than previous Animal Collective releases as it more resembles Panda Bear's (aka Noah Lennox) solo album, Young Prayer. The opener, "It's You," is a beautiful meditation of strings and voice that highlight Bunyan's strength as a vocalist. And when Panda Bear joins her halfway you are ready to sign the petition to have her as a permanent member of the band. Every one joins in on the very playful "Prospect Hummer," a tune that makes me conjure up images of Bunyan leading an odd campfire sing-a-long. The only weak track here is the instrumental "Baleen Sample," which was recorded at a different time than the rest of the EP and comes off feeling like filler material. The closing number "I Remember Learning How To Drive" is so far removed from my friend's folk revival prediction that it makes me feel hopeful for the world that inspires these artists. If there is to be an influx of politically charged music I predict that it will be loud and angry. Thank God we are given these alternate worlds to dwell in if only for awhile...
Thursday, May 19, 2005
The Music Lovers playlist for 5/19/05
Wednesday, May 18, 2005
This Week on the Lovers - Special Guest Andrew Bryant
Tune in this week as Andrew Bryant, the first of my Andrew guests (the other being Andrew Bird on 6/2), stops by the WEVL Studios to visit and perform a few songs from his new album, The Story Never Told. Just click on the photo of Mr. Bryant to find out more about the man and his music.
New releases from:
Belle & Sebastian, Animal Collective, Saxon Shore, Spoon, Teenage Fanclub, Jon Spencer Blues Explosion, Weezer, Sufjan Stevens, Caribou, Headphones, and a few others... (I had a hard drive full of music go down this week that even Disk Warrior couldn't bring back so I'm a little bummed.)
Friday, May 13, 2005
The Lovers' Album of the Week
Headphones Headphones
David Bazan is one Christian artist that you won't be seeing on the CCM Awards any time soon. His band Pedro the Lion has always dealt with sensitive subject matter that would scare off the typical Christian music listener. Which is a shame because Bazan is one of the more interesting Christian artists out there (Sufjan Stevens notwithstanding, of course). His new side project, Headphones, will no doubt disturb the same conservative critics with its foul language, particularly the song "The S**t Talker" (hey, that's how iTunes spells it). I understand from a more liberal point of view this is no big deal. I only mention it because while Bazan may not win Christian of the Year, he is a deeply spiritual man who is not afraid to show his faults. And with the Headphones' sound being that of cheap keyboards and synthesizers (as oppose to the typical Pedro the Lion guitar rock), Bazan's confessions are really allowed to be the focus. Actually the Headphones sound is not their sound at all. Let me be blunt. David Bazan has been listening to a lot of Magnetic Fields. Really, it must be the only thing loaded on his iPod these days. Particularly Charm of the Highway Strip-era Magnetic Fields. I haven't heard such a blatant rip-off/homage of Stephin Merritt since the last time Jens Lekman stepped into a studio (Look at me! I just made an indie rock joke!). Okay, I know this is starting to sound rather negative and you might be asking yourself why this is even my album of the week, but stick with me here. What's so amazing about the Headphones new album is that despite a "borrowed" sound, the music appears fresh because the songs are so structurally strong. I would guess that these songs were all constructed the same way any Pedro the Lion song would have been only then recorded with different instruments (It should be noted that PTL drummer T.W. Walsh makes up the other half of the Headphones). From all my past albums of the week selections, the Headphones' album has gotten the most car play and I think that is because the songs are just so easy to get into and claim your own. Expect multiple plays from "Pink and Brown," "Major Cities," "Hot Girls," and "Natural Disaster". So if imitation really is the greatest form of flattery well than Bazan is all out of butter. Still, the result is what counts and I have another album to consider for my Top Albums of the Year list (and for the record, Jens Lekman can sure make a meaningful imitation too!)
Thursday, May 12, 2005
The Music Lovers playlist for 5/12/05
Tuesday, May 10, 2005
Upcoming Guests on the Lovers
Andrew Bryant is scheduled to make an apperance on the Lovers on May 19th. You can check out a free mp3 from his excellent new album The Story Never Told here.
Andrew Bird is also scheduled to appear on The Lovers on June 2nd. His latest album The Mysterious Production of Eggs is a magnificent achievement that will sure to top many critics Best of 2005 lists. You can check out the single "A Nervous Tic Motion of the Head to the Left" here.
Check back for further updates.
Friday, May 06, 2005
The Lovers' Album of the Week
The Russian Futurists Our Thickness
So that there isn't any confusion, written plainly on the back cover of Our Thickness is the confession, "The Russian Futurists is Matthew Adam Hart." Might as well give credit where credit is due. And while we are throwing around acknowledgments, let me also give Hart recognition for constructing one of the best pop records of 2005. Our Thickness is a blissful pop album that echoes Phil Spector's vast sound despite the fact that it was recorded in Hart's own bedroom. Far from low-fi, The Russian Futurists create highly energized music that is built on layers upon layers of good ideas with surprising introspective lyrics (for such a feel good record) in which Hart delivers multiple choruses with... well, himself. Some of the highlights include the album's opener "Paul Simon," which has nothing do with the 60's singer/songwriter but a lot to do with one hell of a catchy beat, blasting horns, and vocals that seem to be having too much fun to be piping lines like "We're so burnt out; we're a shell now. It's the worst of lows." On the song "These Seven Notes," a sample from a birthday wish being left on an answering machine progresses into a joyful sing-a-long (with Liane DeLotbiniere, one of the few guest artist on the record) about a crumbling relationship ("All you've got's apologies, and take me back phone calls from me"). With other song titles such as "It's Over, It's Nothing," "Hurtin' 4 Certain," and "Why You Gotta Do That Thang?" you start to get the idea of the themes surrounding Our Thickness. However, I guarantee you won't be leaving this record with your head hanging low. On the contrary, I can clearly see your head bobbing back and forth.
Thursday, May 05, 2005
The Music Lovers playlist for 5/5/05
Wednesday, May 04, 2005
This Week on the Lovers - Special Guest Blair Combest
Make sure to tune in this Thursday (5/5) for a very special edition of The Lovers when local singer/songwriter Blair Combest stops by the WEVL Studios to perform his unique blend of folk/country/rock balladry.
Also new releases from: The New Pornographers, Stereolab, Four Tet, Spoon, The Mountain Goats, Oneida, Bright Black, Vitalic, Sufjan Stevens, and many more...
Monday, May 02, 2005
Easley Studios - Another Follow Up
Damage Done
Sorting through aftermath of the Easley-McCain Studio fire.
The birthplace of several important alt-rock records (most recently the White Stripes' White Blood Cells) and a key component in the creative matrix that drives Memphis' Midtown-based indie-rock scene, Easley-McCain Recording Studio, located at 2272 Deadrick Avenue, was dealt a horrible blow when a blaze wiped out the studio's control room, waiting area, and sections of the second floor, which was being used for storage and a smaller studio area.
The March 2nd fire, discovered by engineer Kevin Cubbins, spared the tracking room (or "big room"). The door was closed, and the wall that separates this room from the remainder of the studio acted as a firewall. The cause of the fire hasn't been determined, but investigators have narrowed its origin to the area of a wastebasket and electrical outlet. "I don't know, and I don't think they really know yet," says studio owner Doug Easley. "It wasn't arson. Use that as your big quote. It wasn't arson."
Little compares to the despair of watching something close to you burn uncontrollably, but an adage holds true: It could have been worse. "It's only equipment. People aren't replaceable. I'd much rather go to a storage unit than go to a bunch of funerals," Easley says.
"We're sorting out what was burned and destroyed and what was burned and can be cleaned or salvaged," says Davis McCain, Easley's longtime partner. "Unfortunately, the destroyed pile is getting bigger."
But six weeks later, Easley and McCain aren't just sorting through the damage. They're also sorting through the ramifications of insurance negotiations.
"It's amazing how little communication goes on [with insurance companies]. As long as they can hold onto their money, they're happy," Easley says.
The process isn't helped by the enormous amount of work required to catalog the damage, a process that has required equipment dealers to help value some of the studio's more esoteric items.
"Every piece is a line on a form, then there is a value that you have to give it, and then [the insurance company] wants to know where you got that number," Easley says.
"We're just digging out from under this incredible mound of charred stuff. If the process seemed slow at the beginning, it's really slow now," McCain adds.
Despite the damage, work continues for Easley-McCain. Some remote work is taking place. For instance, Cubbins headed up to a rented cabin in Arkansas last week to finish an album with local band the Glass, a project that began at Easley-McCain. And Easley makes clear that, whatever the impact on the studio itself, the fire has also had an impact on local musicians now short a recording outlet.
"People are always saying, 'Let's do benefits.' It's a nice gesture, but there's no way to know right now what they would be funding," McCain says.
"I thought we should have a reverse benefit. Everybody who ever came to the studio, they'd come to a show, and they'd get $5 at the door and free beer," Easley adds. "We always tried to make it an all-inclusive thing, where people went to have a good time and where a lot of great things emanated from. In retrospect, it's been a great run for us, but we didn't do it by ourselves."
The studio's future is still in flux, pending the slow process of sorting out damages and insurance claims. At present, Easley and McCain are pricing rooms for temporary rental and ferreting out locations for in-progress projects. "I've been looking for places to continue some projects I had going," Easley says. "Though it's premature to say exactly what, we are continuing in one form or another. I'm not retiring."
• By Andrew Earles
Friday, April 29, 2005
The Lovers' Album of the Week
Madvillain Four Tet Remixes EP
Four Tet (aka Kieran Hebden) has taken on an interesting challenge remixing one of last years most highly anticipated hip-hop releases, Madvillain's Madvillainy. As a result of the teaming MF Doom and Madlib, Madvillainy is an album full of tales inspired by classic movie serial villains and set to relaxed rhymes backed by a steady but always unpredictable beat. For Madvillain Remixes EP, Four Tet takes some of the strongest tracks from Madvillainy and puts his own spin on it that for the most part improves on the original. The weakest entry is the opening track, "Meat Grinder," which replaces the laid-back Hawaiian influence found on the original with a schizo beatnik beat (I'm not sure how many folks out there are familiar with the truly awful movie called Manos: Hands of Fate, but I swear those jazz sounds come from that soundtrack!). It's not that this doesn't work, it's just that from track two on Four Tet produces material that rivals that of the legendary Madlib. "Money Folder" is highlighted by a driving beat that could easily be my favorite hip-hop tune of the year. With "Great Day," Four Tet brings an emotional element to the song where lines such as "Looks like it's gonna be a great day today. To get some fresh air like a stray on a straightaway. Hey you, got a light? Nah, a Bud Light..." actually come off sounding philosophical. MF Doom even joins Four Tet on "Rhinestone Cowboy" which on the remix sounds like a massive super hit from Beck. The bonus track, "Shadows of Tomorrow," removes all samples and vocals (originally featuring Lord Quas) for a free all improvised instrumental jam fest. Like most remixes, though, it doesn't replace the original source and if you haven't heard Madvillain's Madvillainy then make sure you pick up a copy. You just might want to also grab a copy of the Four Tet Remixes for a nice companion piece.
