Thursday, June 23, 2005
The Music Lovers playlist for 6/23/05
Tuesday, June 21, 2005
The Glass CD Release Party - Date Change!
Sunday, June 19, 2005
Memphis Beat Summer Schedule
6/21 - In-studio performance from The Hometown Nobodies
6/28 - Discussion with Andria Lisle who co-wrote the book Waking Up In Memphis with Mike Evans
7/5 - In-studio performance from Brad Postlethwaite (Snowglobe) with special guests
7/12 - History of Memphs Garage and Frat Bands
7/19 - In-studio performance from Luke White (Coach and Four, The Pirates)
7/26 - History of Loverly Recordings
- a possible final show on August 2 about Memphis Field Recordings TBA
A Random Lyric
But so what?
Stranger things have happened
Stranger things have been loved
"Yeah, I'm In Love With An Android"
from Say Hi To Your Mom
Friday, June 17, 2005
Thursday, June 16, 2005
The Music Lovers playlist for 6/16/05
Tuesday, June 14, 2005
Playing Games Is Fun!
Monday, June 13, 2005
Andrew Thompson's "We're In Business" Lyrics
Robot: Hey Andrew!
Andrew: What's up Robot?
Robot: I love you!
Andrew:I know you do
Robot: Hey Andrew!
Andrew:What's up Robot?
Robot: I love you!
Andrew: I know you do
Robot: Hey Andrew!
Andrew:What's up Robot?
Robot: I love you!
Andrew: I know you do
Robot: Hey Andrew!
Andrew:What's up Robot?
Robot: I"M GOING TO KILL YOU!
Andrew: OH MY GOD!
Never trust a robot(s)
Never trust a robot(s)
You might think that they are your friend
They'll only kill you in the end
Never trust a robot(s)
Never trust a robot(s)
Don't leave them with your kids
Don't invite them to play bridge
Chorus:
Andrew:If you're a human being, we're in business
Andrew:If you are not a machine, we're in business
Robot: If you are not me?
Andrew:We're in business. We're in business
Don't take them along for trips
They might posion your bag of chips
Never trust a robot(s)
Never trust a robot(s)
Don't take them with you to work
They just might go berserk
Robot:Hey Andrew!
Andrew:What's up Robot?
Robot: I love you!
Andrew:I know you do
Robot:Hey Andrew!
Andrew:What's up Robot?
Robot: I love you!
Andrew:I know you do
Robot:Hey Andrew!
Andrew:What's up Robot?
Robot: I love you!
Andrew:I know you do
Robot:Hey Andrew!
Andrew:What is it Robot?
Robot:YOUR ASS IS MINE!
Andrew:OH MY GOD!
Chorus:
Andrew:If you're a human being, we're in business
Andrew:If you are not a machine, we're in business
Robot: If you are not me?
Andrew:We're in business. We're in business
Robot: Come on outside! I brought you a lollipop. Oh, what? This? It only looks a laser gun that kills people! Hahahaaaaa!
Andrew Thompson "We're In Business"
Sunday, June 12, 2005
The Memphis Beat attends Summer School!
Thursday, June 09, 2005
The Music Lovers playlist for 6/9/05
Thursday, June 02, 2005
The Music Lovers playlist for 6/2/05
Wednesday, June 01, 2005
This Week on the Lovers - Special Guest Cancellation
Still expect an exciting show with new releases from: Sleater-Kinney, The Sharp Things, Smog, Brian Eno, Doleful Lions, Eels, PAJO, The Silver Mt. Zion, and many more...
Saturday, May 28, 2005
The Music Lovers playlist for 5/26/05
Friday, May 20, 2005
The Lovers' Album of the Week
Animal Collective Prospect Hummer EP (featuring Vashti Bunyan)
If you're like me, you never even heard of Vashti Bunyan or her sole album, Just Another Diamond Day, prior to Devendra Banhart and the entire "freak-folk" movement. And I must admit, I still don't know that much about the woman or her music other than the 30 sec samples allowed through iTunes. What does come through, though, is that her approach to folk music is different from her peers (Joni Mitchell, Joan Baez, Dylan, etc.). I had a friend mention to me recently that he thought folk music would be making a big comeback due to the current state of affairs in America. I'm not sure that's true. To me, this neo hippie folk movement coming out from folks like Banhart and Joanna Newsom, and for which Bunyan is being labeled the Mother of, is less concerned about the world around them than the sweet and innocent world they have created within themselves. The music of Bunyan also seems to turn its head away from political matters and instead favors melodies that are dedicated to nature ("Lily Pond," Rainbow River," "Winter Is Blue" etc.). After the initially unsuccessful 1970 release, Just Another Diamond Day, Bunyan apparently left the music business all together to focus on a family. Thirty-five years later, Bunyan is back. Only this time it's not a solo album but a collaboration with the continuously fascinating Animal Collective. I never really thought of Animal Collective as part of the same crowd as Banhart and Newsom, but I do deem "freak-folk" as an adequate description of their type of music. Actually, Prospect Hummer is less chaotic than previous Animal Collective releases as it more resembles Panda Bear's (aka Noah Lennox) solo album, Young Prayer. The opener, "It's You," is a beautiful meditation of strings and voice that highlight Bunyan's strength as a vocalist. And when Panda Bear joins her halfway you are ready to sign the petition to have her as a permanent member of the band. Every one joins in on the very playful "Prospect Hummer," a tune that makes me conjure up images of Bunyan leading an odd campfire sing-a-long. The only weak track here is the instrumental "Baleen Sample," which was recorded at a different time than the rest of the EP and comes off feeling like filler material. The closing number "I Remember Learning How To Drive" is so far removed from my friend's folk revival prediction that it makes me feel hopeful for the world that inspires these artists. If there is to be an influx of politically charged music I predict that it will be loud and angry. Thank God we are given these alternate worlds to dwell in if only for awhile...
Thursday, May 19, 2005
The Music Lovers playlist for 5/19/05
Wednesday, May 18, 2005
This Week on the Lovers - Special Guest Andrew Bryant
Tune in this week as Andrew Bryant, the first of my Andrew guests (the other being Andrew Bird on 6/2), stops by the WEVL Studios to visit and perform a few songs from his new album, The Story Never Told. Just click on the photo of Mr. Bryant to find out more about the man and his music.
New releases from:
Belle & Sebastian, Animal Collective, Saxon Shore, Spoon, Teenage Fanclub, Jon Spencer Blues Explosion, Weezer, Sufjan Stevens, Caribou, Headphones, and a few others... (I had a hard drive full of music go down this week that even Disk Warrior couldn't bring back so I'm a little bummed.)
Friday, May 13, 2005
The Lovers' Album of the Week
Headphones Headphones
David Bazan is one Christian artist that you won't be seeing on the CCM Awards any time soon. His band Pedro the Lion has always dealt with sensitive subject matter that would scare off the typical Christian music listener. Which is a shame because Bazan is one of the more interesting Christian artists out there (Sufjan Stevens notwithstanding, of course). His new side project, Headphones, will no doubt disturb the same conservative critics with its foul language, particularly the song "The S**t Talker" (hey, that's how iTunes spells it). I understand from a more liberal point of view this is no big deal. I only mention it because while Bazan may not win Christian of the Year, he is a deeply spiritual man who is not afraid to show his faults. And with the Headphones' sound being that of cheap keyboards and synthesizers (as oppose to the typical Pedro the Lion guitar rock), Bazan's confessions are really allowed to be the focus. Actually the Headphones sound is not their sound at all. Let me be blunt. David Bazan has been listening to a lot of Magnetic Fields. Really, it must be the only thing loaded on his iPod these days. Particularly Charm of the Highway Strip-era Magnetic Fields. I haven't heard such a blatant rip-off/homage of Stephin Merritt since the last time Jens Lekman stepped into a studio (Look at me! I just made an indie rock joke!). Okay, I know this is starting to sound rather negative and you might be asking yourself why this is even my album of the week, but stick with me here. What's so amazing about the Headphones new album is that despite a "borrowed" sound, the music appears fresh because the songs are so structurally strong. I would guess that these songs were all constructed the same way any Pedro the Lion song would have been only then recorded with different instruments (It should be noted that PTL drummer T.W. Walsh makes up the other half of the Headphones). From all my past albums of the week selections, the Headphones' album has gotten the most car play and I think that is because the songs are just so easy to get into and claim your own. Expect multiple plays from "Pink and Brown," "Major Cities," "Hot Girls," and "Natural Disaster". So if imitation really is the greatest form of flattery well than Bazan is all out of butter. Still, the result is what counts and I have another album to consider for my Top Albums of the Year list (and for the record, Jens Lekman can sure make a meaningful imitation too!)
Thursday, May 12, 2005
The Music Lovers playlist for 5/12/05
Tuesday, May 10, 2005
Upcoming Guests on the Lovers
Andrew Bryant is scheduled to make an apperance on the Lovers on May 19th. You can check out a free mp3 from his excellent new album The Story Never Told here.
Andrew Bird is also scheduled to appear on The Lovers on June 2nd. His latest album The Mysterious Production of Eggs is a magnificent achievement that will sure to top many critics Best of 2005 lists. You can check out the single "A Nervous Tic Motion of the Head to the Left" here.
Check back for further updates.
Friday, May 06, 2005
The Lovers' Album of the Week
The Russian Futurists Our Thickness
So that there isn't any confusion, written plainly on the back cover of Our Thickness is the confession, "The Russian Futurists is Matthew Adam Hart." Might as well give credit where credit is due. And while we are throwing around acknowledgments, let me also give Hart recognition for constructing one of the best pop records of 2005. Our Thickness is a blissful pop album that echoes Phil Spector's vast sound despite the fact that it was recorded in Hart's own bedroom. Far from low-fi, The Russian Futurists create highly energized music that is built on layers upon layers of good ideas with surprising introspective lyrics (for such a feel good record) in which Hart delivers multiple choruses with... well, himself. Some of the highlights include the album's opener "Paul Simon," which has nothing do with the 60's singer/songwriter but a lot to do with one hell of a catchy beat, blasting horns, and vocals that seem to be having too much fun to be piping lines like "We're so burnt out; we're a shell now. It's the worst of lows." On the song "These Seven Notes," a sample from a birthday wish being left on an answering machine progresses into a joyful sing-a-long (with Liane DeLotbiniere, one of the few guest artist on the record) about a crumbling relationship ("All you've got's apologies, and take me back phone calls from me"). With other song titles such as "It's Over, It's Nothing," "Hurtin' 4 Certain," and "Why You Gotta Do That Thang?" you start to get the idea of the themes surrounding Our Thickness. However, I guarantee you won't be leaving this record with your head hanging low. On the contrary, I can clearly see your head bobbing back and forth.
Thursday, May 05, 2005
The Music Lovers playlist for 5/5/05
Wednesday, May 04, 2005
This Week on the Lovers - Special Guest Blair Combest
Make sure to tune in this Thursday (5/5) for a very special edition of The Lovers when local singer/songwriter Blair Combest stops by the WEVL Studios to perform his unique blend of folk/country/rock balladry.
Also new releases from: The New Pornographers, Stereolab, Four Tet, Spoon, The Mountain Goats, Oneida, Bright Black, Vitalic, Sufjan Stevens, and many more...
Monday, May 02, 2005
Easley Studios - Another Follow Up
Damage Done
Sorting through aftermath of the Easley-McCain Studio fire.
The birthplace of several important alt-rock records (most recently the White Stripes' White Blood Cells) and a key component in the creative matrix that drives Memphis' Midtown-based indie-rock scene, Easley-McCain Recording Studio, located at 2272 Deadrick Avenue, was dealt a horrible blow when a blaze wiped out the studio's control room, waiting area, and sections of the second floor, which was being used for storage and a smaller studio area.
The March 2nd fire, discovered by engineer Kevin Cubbins, spared the tracking room (or "big room"). The door was closed, and the wall that separates this room from the remainder of the studio acted as a firewall. The cause of the fire hasn't been determined, but investigators have narrowed its origin to the area of a wastebasket and electrical outlet. "I don't know, and I don't think they really know yet," says studio owner Doug Easley. "It wasn't arson. Use that as your big quote. It wasn't arson."
Little compares to the despair of watching something close to you burn uncontrollably, but an adage holds true: It could have been worse. "It's only equipment. People aren't replaceable. I'd much rather go to a storage unit than go to a bunch of funerals," Easley says.
"We're sorting out what was burned and destroyed and what was burned and can be cleaned or salvaged," says Davis McCain, Easley's longtime partner. "Unfortunately, the destroyed pile is getting bigger."
But six weeks later, Easley and McCain aren't just sorting through the damage. They're also sorting through the ramifications of insurance negotiations.
"It's amazing how little communication goes on [with insurance companies]. As long as they can hold onto their money, they're happy," Easley says.
The process isn't helped by the enormous amount of work required to catalog the damage, a process that has required equipment dealers to help value some of the studio's more esoteric items.
"Every piece is a line on a form, then there is a value that you have to give it, and then [the insurance company] wants to know where you got that number," Easley says.
"We're just digging out from under this incredible mound of charred stuff. If the process seemed slow at the beginning, it's really slow now," McCain adds.
Despite the damage, work continues for Easley-McCain. Some remote work is taking place. For instance, Cubbins headed up to a rented cabin in Arkansas last week to finish an album with local band the Glass, a project that began at Easley-McCain. And Easley makes clear that, whatever the impact on the studio itself, the fire has also had an impact on local musicians now short a recording outlet.
"People are always saying, 'Let's do benefits.' It's a nice gesture, but there's no way to know right now what they would be funding," McCain says.
"I thought we should have a reverse benefit. Everybody who ever came to the studio, they'd come to a show, and they'd get $5 at the door and free beer," Easley adds. "We always tried to make it an all-inclusive thing, where people went to have a good time and where a lot of great things emanated from. In retrospect, it's been a great run for us, but we didn't do it by ourselves."
The studio's future is still in flux, pending the slow process of sorting out damages and insurance claims. At present, Easley and McCain are pricing rooms for temporary rental and ferreting out locations for in-progress projects. "I've been looking for places to continue some projects I had going," Easley says. "Though it's premature to say exactly what, we are continuing in one form or another. I'm not retiring."
• By Andrew Earles
Friday, April 29, 2005
The Lovers' Album of the Week
Madvillain Four Tet Remixes EP
Four Tet (aka Kieran Hebden) has taken on an interesting challenge remixing one of last years most highly anticipated hip-hop releases, Madvillain's Madvillainy. As a result of the teaming MF Doom and Madlib, Madvillainy is an album full of tales inspired by classic movie serial villains and set to relaxed rhymes backed by a steady but always unpredictable beat. For Madvillain Remixes EP, Four Tet takes some of the strongest tracks from Madvillainy and puts his own spin on it that for the most part improves on the original. The weakest entry is the opening track, "Meat Grinder," which replaces the laid-back Hawaiian influence found on the original with a schizo beatnik beat (I'm not sure how many folks out there are familiar with the truly awful movie called Manos: Hands of Fate, but I swear those jazz sounds come from that soundtrack!). It's not that this doesn't work, it's just that from track two on Four Tet produces material that rivals that of the legendary Madlib. "Money Folder" is highlighted by a driving beat that could easily be my favorite hip-hop tune of the year. With "Great Day," Four Tet brings an emotional element to the song where lines such as "Looks like it's gonna be a great day today. To get some fresh air like a stray on a straightaway. Hey you, got a light? Nah, a Bud Light..." actually come off sounding philosophical. MF Doom even joins Four Tet on "Rhinestone Cowboy" which on the remix sounds like a massive super hit from Beck. The bonus track, "Shadows of Tomorrow," removes all samples and vocals (originally featuring Lord Quas) for a free all improvised instrumental jam fest. Like most remixes, though, it doesn't replace the original source and if you haven't heard Madvillain's Madvillainy then make sure you pick up a copy. You just might want to also grab a copy of the Four Tet Remixes for a nice companion piece.
Thursday, April 28, 2005
The Music Lovers playlist for 4/28/05
Monday, April 25, 2005
Hi Fidelity Playlist on 4/25/05 (The Lovers Sub!)
Sunday, April 24, 2005
FYI - The Lovers Subbing for High Fidelity
Saturday, April 23, 2005
The 2005 Spring Pledge Drive Was A Success!
WEVL's Spring Pledge Drive Ends Today!
Thursday, April 21, 2005
The Music Lovers playlist for 4/21/05 - Special Pledge Drive Theme Show
Wednesday, April 20, 2005
This Week on the Lovers - Spring Pledge Drive Show
And don't forget the Pledge Drive! The pledge line # is 528-1990. You can also pledge securely online.
Tuesday, April 19, 2005
Another WEVL Spring Pledge Drive Update
Monday, April 18, 2005
WEVL Spring Pledge Drive Update
Friday, April 15, 2005
WEVL Spring Pledge Drive Starts Today!
The Lovers' Album of the Week
Dr. Dog Easy Beat
Dr. Dog's Easy Beat owns the distinction of being the Lovers' first Album of the Week that was not released on the week of its post. While there were a few worthy contenders (particularly Of Montreal's The Sunlandic Twins and Supersystem's Always Never Again), Easy Beat managed to charm me enough to forgo my own strict rules for Album of the Week qualifications and allow this dated gem slip by (Ok, I'm silly. It's only a month old!). Hailing from the city of Brotherly Love but sounding more like a potpourri of the British Invasion, Dr. Dog will no doubt get a lot of flack for wearing their influences so securly on their sleeves. And while there is no denying this criticism, I would much prefer to say that Dr. Dog are a celebrated explosion of their own pop music devotion. I challenge you to find pop songs more infectious than "The World May Never Know," The Pretender," or "Easy Beat". I am reminded of Devin Davis' Lonely People of the World, Unite! (Album of the Week March 18) which was another record of this Nouveau 60's Pop Sound. However, while that album was undoubtedly a creation of the studio, Easy Beat feels more like an album that was captured merely because there happen to be a microphone in the room. It should be interesting to see how the indie kids react to Dr. Dog because I would not be surprised at all if they were to become the next big thing on the level, as say, The Shins. Easy Beat ends with "Wake Up," a song that seems to finish but then starts up again in a low-fi setting where the group is infused in a sing along chanting "Wake up! Wake up! Wake up! We're only part of a dream. All the things in your heart like the things in your head. Are they only what they seem?" In the case of Dr. Dog, I would have to answer: No.
Wednesday, April 13, 2005
The Music Lovers playlist for 4/14/05
Friday, April 08, 2005
The Lovers' Album of the Week - Part 1
The Books Lost and Safe
The fact that The Books' 2003 release, Lemon of Pink, was such a critical success (even making #2 on Pitchfork's Best of 2003 list) is not surprising. Pink is just so brilliantly constructed that it makes you almost believe The Books invented the art of musique concrete. Of course that is not the case (Pierre Schaeffer claims that fame) but it is certainly one of the catchiest examples of the form in recent years. Well, until The Books released their third album, Lost and Safe. Lost and Safe won't get the same critical recognition as Pink but it is an important evolution of The Books' sound that may prove helpful in bringing them a larger audience. The main distinction between The Books of 2003 and The Books of 2005 is the addition of more developed song lyrics. But don't fret Pink and Thought of Food (2002) fans, The Books are just working overtime these days to combine all these new and old elements into their fragmented tracks. The shining achievement of this new sound is "Be Good To Them Always," which begins familiarly enough but then progresses into a Tortoise-like bass line followed by soft spoken vocals that quickly become engulfed in a series of voice samples from wherever voice samples come from until the line between what is real and what isn't is lost. Surprisingly, the most impressive track, "An Owl with with Knees," is a song that is The Books' most straight forward number (even void of a single sample) and yet at the same time their most uplifting. Here's to whatever direction The Books decide to venture next.
The Lovers' Album of the Week - Part 2
The Dirty Projectors The Getty Address
The Getty Address reminds me of one of my favorite releases from 2004, Panda Bear's Young Prayer. As a response to the artists' father's death, Young Prayer was the years most unconventional pop record complete with incoherent chants of various falsetto ranges set to minimal instrumentation. While I'm not sure of the personal response behind the release of The Getty Address, The Dirty Projectors are sure to be this years contender for oddest pop record. Like Panda Bear, the voice acts as a central instrument and lead man Dave Longstreth's use of the falsetto comes of like a classically trained Tiny Tim. However, the main attraction of The Getty Address is the music itself which is engulfing and ever-changing. The Getty Address also reminds me of my other Album of the Week, The Books' Lost and Safe, in the way that both records approach each song in so many directions. Sorta like a kid who has been accidently locked in the school's music room over the weekend and decides to kill the time by pulling out every instrument from the closet. Which is not to say Longstreth is alone in all this - he guides his odd vision with the aid of the Orchestral Society for the Preservation of the Orchestra, a 10-piece chamber group complete with oboe, trombone, horn, trumpet, and soprano and alto voice. It's that organic sound that really sets The Getty Address apart from the Books' Lost and Safe and that grand scale which sets it apart from Young Prayer. And as a combination of it's parts it's what separates it from anything else out there. If Lincoln were correct in assuming "that all men are created equal," well, surely all pop music is not.
Oh You and Your Christian Indie Rock!
Thursday, April 07, 2005
The Music Lovers playlist for 4/7/05
Thursday, March 31, 2005
The Lovers' Album of the Week
Yo La Tengo Prisoners of Love: A Smattering of Scintillating Senescent Songs 1985 - 2003 along with A Shattering of Outtakes and Rarities
During the Summer of `96, I fell madly in love with Elvis Costello's rendition of the ol' Cole Porter song "Love for Sale." I had heard it while driving a friend's car who happened to have the Costello album Trust in his tape deck. For months I begged my friend to make me a mix tape with that song and when he finally got around to it he had added a few more artists that he thought I should check out including Nick Drake and NRBQ. But the mix tape primarily consisted of selections from Yo La Tengo's 1990 release Fakebook, an album of cleverly chosen covers (the Kinks, Cat Stevens, Daniel Johnston) and a handful of beautiful originals ("Can't Forget" and "The Summer"). When I eventually purchased the real album, it struck me funny that my friend had included all but three songs from the original. It was if he was so in love with that album that he had had a hard time disregarding anything from it. So I could only imagine the daunting task of putting together Yo La Tengo's latest release, Prisoners of Love, a double disc retrospective covering an 18 year (!) career. Instead of following chronological order, Prisoners jumps back and forth through the years to create an album that would deem enjoyable to both the novice and the fanatic. Selections include tracks from the earliest years ("The River of Water" from the first 7 inch) to the latest releases ("Season of the Shark," "Little Eyes") as well as their most achingly beautiful ("You Can Have It All," Our Way To Fall," "Tears Are In Your Eyes") and most challenging rockers ("From a Motel 6," "Tom Courtenay," "Sugarcube"). Of course, it is impossible to include everything (What, no “Big Sky”?) but it's hard to dismiss any of the carefully chosen picks. The greatest thrill of Prisoners of Love, though, is an optional third disc which gives us 16 tracks of outtakes and rarities including 5 tunes that had previously been unreleased. One listen to "Pencil Test," an outtake from 1997's I Can Hear the Heart Beating As One, will have you scratchin' your head with wonder at how a song so lovingly could be left off any album. But when you have such a great catalog of material like Yo La Tengo, you make things hard for folks like my friend who made that mix tape so many years ago. Last week for the first time on the Music Lovers, I played four songs in a row from one artist. How fitting that it was the darlings of indie rock, Yo La Tengo.
The Music Lovers playlist for 3/31/05
Tuesday, March 29, 2005
Easley Studios - Follow Up
As I mentioned a few weeks ago, the legendary Easley Studios suffered a major setback after a fire broke out putting many artists' master tapes in jeopardy. Memphis' own, The Glass, were one of several artists that were laying down tracks there. Here's an official announcement from The Glass' website:
Our record was lost in the Easley/McCain Studio fire. Well, not utterly. A few files were salvaged - a few tracks were spared. After our April tour we'll head up into a cabin in the Ozarks and along with our faithful engineer, attempt to better those lost recordings. Thanks to everyone for their patience, the new and improved record will come out this summer.
I will continue to keep everyone updated.
Friday, March 25, 2005
The Lovers' Album of the Week
The Decemberists Picaresque
I have been having a difficult time writing this review. The first reason is obvious, I'm not a music critic or even a writer. But more importantly, I've just been having a hard time getting inspired. Now I understand this is not a very insuring thing to say about the album of the week choice. But I have to stress that being able to express what you feel into words is a skill and those who are less skillful as myself are more prone to "writer's block." So as I was taking a break from thinking with one of my newly reborn rituals, garage sale rummaging, I ran across a 45 record of Procol Harum's "White Shade of Pale," one of the most recognizable hits of the Sixties. I turned over $.50 of my hard-earned money and took it home. While I was listening to it for what had to be the one zillionth time in my lifetime, I thought the Decemberists are really the modern Procol Harum. On their third release, Picaresque, singer/songwriter Colin Meloy has fashioned an album chock full of poetic, Harum-like narratives that conjure up ancient times with a flair for the ole sea. Which is really nothing new for the Decemberists whose previous releases, Castaways and Cutouts (2003) and Her Majesty (2003), had already established this as the Decemberists sound ("Bus Mall," with its mentions of freeways and bus stops, is certainly an exception). However, Picaresque feels like Meloy's most satisfying and realized project. He sure can make grisly lines like "In this belly of a whale, it's ribs are ceilling beams, it's guts are carpeting, I guess we have some time to kill" work. From the crashing opener "The Infanta" (think Procol Harum's "Conquistador") to the epic "Espionage" and "The Mariner's Revenge Song" (Procol Harum's "A Salty Dog") to the lovely "Engine Driver" ("Shine On Brightly"), the Decemberists' Picaresque is an album that will be on many critics Best of 2005 lists. And if we lived in a perfect world, songs like "The Engine Driver" and "16 By 32" would be mainstream hits that someone would pick up at garage sales so many years later...
Thursday, March 24, 2005
Clem Snide performs on WEVL this Friday
Clem Snide
Okay, so here's the deal. Clem Snide were going to make an appearance on The Music Lovers program this Thursday but due to traffic jams in Alabama were forced to cancel. But don't fret Snide fans because the guys will be stopping at the WEVL station tomorrow on Good Friday to perform a few songs for us from 12:00 - 12:30 pm. Sounds like a good lunch break to me!
The Music Lovers playlist for 3/24/05
Wednesday, March 23, 2005
A Random Post - Most Memorable Shows of 2004
1. Bonnie Prince Billy - I never thought I would actually get to see Will Oldham but there he was in custom made overalls playing at Proud Larry's (!) in Oxford, MS.
2. My Morning Jacket - A storm cloud formed over the stage at Bonnaroo and finally broke during the ending song "Steam Engine." Worth the entire ticket alone! (Other memorable moments from Yo La Tengo, Grandaddy, and David Byrne)
3. Elvis Costello - I was actually on the guest list for this one after working with Mr. Costello on a video shoot for an upcoming DVD release.
4. Of Montreal - These guys are so fun to see perform. I say perform because the comedy skits between their songs are classic. And they always play two cover songs with each performance. The show at the Deli ended with Boston's "More Than A Feeling!"
5. Vic Chesnutt - Ok, so the small crowd wouldn't shut up during the show but the music was nice and the company was even nicer.
6. Morrissey - Another one that I never thought I would get the chance to see live. The show was amazing but ended short when the stage was raided by fellas wanting to touch and kiss the Mozz!
7. Snowglobe - The CD Release show was the best show I have ever seen from these local heroes. And I have it all captured on tape!
8. Reigning Sound - Every show from Cartwright and the Boys is amazing!
9. Harlan T. Bobo - (with Tim Prudhomme) Live at Shangri-La Records store with about 5 folks in attendance. I'm still not sure how they fit all their crap in that small little room in the back!
10. The Pixies - Okay, I didn't actually go to this show. But I did have tickets to it. Unfortunately, I had to work out of town. How sad...
(Other memorable shows include: Calexico, Wilco, Summer Hymns, Devendra Banhart, The Coach and Four, and Spoon)
Friday, March 18, 2005
The Lovers' Album of the Week
Devin Davis Lonely People of the World, Unite!
Ok, I jumped the gun on this one! I had only heard 3 of the 11 songs on the record and had already declared it my album of the week before actually owning a copy. I never imagined it would be so hard to locate it at the local record shops. So I had to order it from Insound, which is never a bad thing but it certainly delayed matters. So do I still declare this an album of the week after hearing the record in its entirety? You bet I do! Heck, the 3 songs that I did hear ("Iron Woman," "Turtle and the Flightless Bird," and "Deserted Eyeland") are worth that distinction. The explosive opener, "Iron Woman" is easily one of my favorite singles of the year and will sure to find its way on The Music Lovers Best of 2005 show. A lot of times when an artist attempts a "perfect pop" album it comes out with mixed results. Davis' attempt is one that pays off from start to finish (minus "Cannons at the Courthouse" which attempts to be funny and witty yet fails at both). At only 35 minutes long, Lonely People is so tight that it only contains the essentials: simple but heartfelt songs that make you bob your head back and forth. It's also definitely 60's inspired pop which I am sure will lead to a fair share of Brian Wilson references (Davis even looks like Wilson on the back cover) but I think that connection is often over used by music critics. It is probably safe to say, though, that Davis loves the studio process of recording (Davis himself recorded and mixed the album) and that he has heard his fair share of Beach Boys records as well as the Kinks ("Paratrooper with Amnesia" could easly have been an outtake from the Muswell Hillbillies sessions) but I am also reminded of Guided By Voices if they cared for their records to sound clean or even an Elephant 6 project if they cared to appeal to the masses. Keep your eye out for Devin. The copyright for this new release is 2003 so we might see a newer release sooner than later. I hope so!
Thursday, March 17, 2005
The Music Lovers playlist for 3/17/05
Friday, March 11, 2005
The Lovers' Album of the Week
The Flaming Lips/Various Artists LateNightTales
I once knew someone who hated the term "mix tape"; he always contested that what one really meant to say when referring to those personal musical expressions was a "compilation tape." While I understood his argument (in the sense that there is no real mixing involved), I always associated the term "compilation" with one of those free CDs you find in music magazines that carelessly dump various artists together without any concern for how the songs flow from one to the other (nevermind that you'll be lucky to find more than a song or two worthy of repeated listens). A good mix tape (because everyone has gotten that bad one) is so enjoyable because not only does it expose you to new music but it also comes from someone who cared about you enough to take the time to properly structure it. (For rules on how to correctly make a mix tape read Nick Hornby's High Fidelity.) And if there is any band that I believe cares about me...it's The Flaming Lips. So it's not surprising that the Azuli label has chosen the Lips for the job of MC'ing the latest edition of their LateNightTales series (previous artists from the series include Jamiroquai, Nightmares On Wax, and Four Tet). And luckily for us, the Lips have taken the challenge with joyful care. (If all this sounds familiar to you, then you probably have come across the iTunes Music Store's "Celebrity Playlists.") The Lips' version of LateNightTales follows the "theme" approach of creating a mix tape with songs that sound most perfect in the quiet moments that the late night can bring forth. Tunes from Chris Bell, Nick Drake, Aphex Twin, Brian Eno, Miles Davis, and even 10cc(!) are so beautifully calming that I could see myself using this one to fall to sleep--and believe me this isn't a negative. Ironically, the one song that breaks away from the theme is the Lips' own contribution, a cover of sorts of the White Stripes' "Seven Nation Army," aka "Harry Potter’s and George W. Bush’s Severed Head Army Mix." While the song is entertaining (and probably more so in concert), it disturbs the flow of the album. But this is really only a minor quibble because LateNightTales isn't meant to be a perfect album. Like all great mix tapes, LateNightTales is about exposing the listener to a variety of different artists, all the while keeping them wondering what's coming up next.
Click here to listen to samples from the album. (Be forewarned the flash is a bit annoying.)
Thursday, March 10, 2005
The Music Lovers playlist for 3/10/05
Tuesday, March 08, 2005
The Memphis Beat Playlist for 3/8/05
1. Father to a Sister of Thought - Pavement from Wowee Zowee 2. Box Full of Letters - Wilco from A.M. 3. Happy Man - Sparklehorse from Distored Ghost EP 4. Last Man Alive - The Grifters from Ain't My Lookout 5. As Long - Reigning Sound from Break Up..Break Down 6. We're Going To Be Friends - The White Stripes from White Blood Cells 7. My Mind Was Messed Around At the Time - Tav Falco from Life Sentence at the Cathouse 8. Satin In a Coffin - Modest Mouse from Good News For People Who Love Bad News 9. The Offical Rally Song - Guided by Voices from The Offical Rally Song EP 10. Little Trouble Girl - Sonic Youth from Washing Machine 11. Nude as the News - Cat Power from What Would the Community Think 12. Chicken Dog - Jon Spencer Blues Explosion from Now I Got Worry 13. Viet Nam War Blues - Oblivians from Soul Food 14. Bank, Gun, Jail - Tearjerkers from Bad Mood Rising 15. Trains Across the Sea - Silver Jews from Starlite Walker 16. Portland, Oregon - Loretta Lynn from Van Lear Rose 17. (End of) Travelling - Palace Music from Lost Blues and Other Songs 18. The Glass - Wrote Your Own Removal
Sunday, March 06, 2005
The Memphis Beat Honors Easley Studios
As you might have heard, the legendary Easley-McCain Studios suffered severe fire damage last week. We here at the Lovers would like to express our deepest sympathies to Doug as well as to all those amazing artists who have been hard at work recording there recently (Blair Combest, The Pirates, Brad Postlethwaite, etc.) Tune in to The Memphis Beat this Tuesday from 1 - 2pm for a special show (including a brand new tune from the Glass!) celebrating all those successful years on Deadrick.
Click here for an article about the incident from Andria Lisle.
